Doug Bailey

Doug Bailey
Professor
Graduate Coordinator
Phone: 
(415) 338–2046
Building: Fine Arts
Room Number: 537
Office Hours: 
Tuesday: 12:30 pm-2:00 pm
Thursday: 12:30 pm-2:00 pm

Biography

M.A. students may skype, please email dwbailey@sfsu.edu to set up an appointment.

  • Ph.D. Cambridge University, 1991
  • M.Phil Cambridge University, 1986
  • A.B. Dartmouth College, 1985

Interests

Art and Visual Culture, Prehistoric Art, Archaeology, Representation, Theory and The Contemporary Past  

UnearthedMy interests range widely. Current focus is on the archaeology of art and visual culture and on art/archaeology as alternative production. Work is at the interface of art and archaeology, as well as in the challenging space beyond both disciplines. Intentions are to reposition our approaches to prehistoric visual culture and to create radical alternatives to archaeological publication (e.g., the Unearthed book; see cover above). Graduate applicants wishing to explore these topics must contact me before submitting their formal applications. Other interests: Surrealist periodicals; DADA; early 20th century photography; the anthropological, archaeological, and visual archive; and the prehistoric archaeology of Europe. Please see my photo work. Scroll to the bottom of this webpage to find a link to my current CV. Almost all of my journal articles and book chapter are available from academia.edu.

Background

Before joining SF State in 2008, I was Head of Archaeology at Cardiff University in the UK where I was awarded a personal chair in 2006. My Ph.D. (1991) and MPhil (1986) are both from Cambridge University; my B.A. is from Dartmouth.

Projects

Releasing the Visual Archive

This project investigates the status of the visual archive with particular attention to the complexities of the image as object and the politics of visual culture. A first study in the project (The Book of Miko) has been an examination of over 1200, 35-mm colour transparencies that a museum curator discarded immediately before the closure of her collection. With the support of the Norwegian Academy of Sciences, the study uncovered unexpectedly disturbing sets of image subjects; most slides depicted animals in captivity (and being dissected), face and head shapes of immigrant populations, highly sexualized representations of pregnancy and birth, and human fossil remains. Hard-edged conflicts emerged about how to handle these slides; standard visual anthropological practice of repatriation was not applicable as human subjects could not be sourced and animal subjects and fossil remains stood outside of standard categories of communicative agents. The study wrestled to negotiate an ethical treatment of morally questionable visual artifacts. One study product was a set of five photobooks in which Bailey juxtaposed image-sets in order to raise difficult questions about the appropriateness of scholarly imagery. A second study output, more performative and provocative, was to release the images from their archival constraints through their destruction by combustion and chemical dissolution.

Select project publications:

  • Bailey, D.W. 2017. The Book of Miko. Volume 4, number 4 (Reproduction and Fossil). San Francisco, CA.: Blurb. (Order this book as a PDF or print Book of Miko 4/4)
  • Bailey, D.W. 2017. The Book of Miko. Volume 8, number 3 (Subjects and Dissection). San Francisco, CA.: Blurb. (Order this book as a PDF or print Book of Miko 8/3)
  • Bailey, D.W. 2017. The Book of Miko. Volume 17, number 1 (Ethnicity and Sexuality). San Francisco, CA.: Blurb. (Order this book as a PDF or print Book of Miko 17/1)
  • Bailey, D.W. 2017. The Book of Miko. Volume 23, number 6 (Grid and Classification). San Francisco, CA.: Blurb. (Order this book as a PDF or print Book of Miko 23/6)
  • Bailey, D.W. 2017. The Book of Miko. Volume 43, number 6 (Release and Destroy). San Francisco, CA.: Blurb. (Order this book as a PDF or print Book of Miko 43/6)

Art/Archaeology/Art

Through alternative output of traditional materials, I have been working in a new space beyond the disciplinary definitions and boundaries of art and archaeology. The concern is not to interpret the art of the past or assign meaning to actions of past peoples; the intent is to create new work using the past and its remnants as material and resource, as palette and medium. The project practices a dissident archaeology through the visual and creates provocative output. View a recent overview of my TAG-Chicago talk.

Select project publications:

  • Bailey, D.W., Cockrane, A. and Zambelli, J. 2010. Unearthed. Norwich: Sainsbury Centre. Order this book.
  • Bailey, D.W. 2012. Cutting the earth / cutting the body. In A. González-Ruibal (ed.) Reclaiming Archaeology: Beyond the Tropes of Modernity, pp. 337-45. London: Routledge. Access this article from my academia.edu page.
  • Bailey, D.W. 2014. Which ruins do we valorize? A new visual calibration for the Balkan past. In B. Olsen and Þ. Pétursdóttir (eds) Ruin Memories: Materiality, Aesthetics and the Archaeology of the Recent Past, pp. 215-29. London: Routledge. Access this article from my academia.edu page.
  • Bailey, D.W. 2014. Art // archaeology // art: letting-go beyond. I. Russell and A. Cochrane (eds), Art and Archaeology: Collaborations, Conversations, Criticisms, pp. 231-50. New York: Springer-Kluwer.
  • Bailey, D.W. and Simpkin, M. 2015. Eleven minutes and forty seconds in the Neolithic: underneath archaeological time. In R. Van Dyke and R. Berneck (eds) Subjects and Narratives in Archaeology, pp. 187-213. Boulder, CO.: University of Colorado Press. Access this article from my academia.edu page.
  • Bailey, D.W. 2017. Disarticulate – repurpose – disrupt: art/archaeology. Cambridge Archaeological Journal 27(4): 691-701. Access this article from my academia.edu page.
  • Bailey, D.W. 2018. Art/Archaeology: what value artistic-archaeological collaboration? Journal of Contemporary Archaeology.
  • Bailey, D.W. 2018. Breaking the Surface: an Art/Archaeology of Prehistoric Architecture. Oxford: Oxford University Press.

Select project installations:

  • 2015 Ancient Figurines: Controlling Bodies. Badé Museum of Biblicial Archaeology, Berkeley, California. June – September [photographic / mixed media].
  • 2010. Unearthed. Norwich: Sainsbury Centre for Visual Arts June-Octo. [prehistoric / contemporary material culture].

Present-Past-(Re)presentation: Romania

With Dr. Steve Mills (Cardiff University, UK), I was co-PI of a European Union project (£300,000 / $477,829) investigating cross-disciplinary approaches to art and the landscape. Basing our work on the modern village of Măgura, in southern Romania, the project wrestled with issues of representation and documentation. Using a diverse set of methods and approaches the project created multi-media, multi-period interpretations of a rural community which has been a center of rural life for over 8000 years. Participants ranged from archaeologists, historians, ethnographers, land artists, photographers and ethnographic film-makers to local school children, politicians, shop-keepers and village residents.

Select project publications: 

  • Biella, P. and Druvofka, I. 2010. Eternity Was Born in the Village. Philadelphia and San Francisco: Bilingual Media.
  • Jasmin, M. 2010. The Brain of the Archaeologist. Paris: Deux Ponts.
  • Mills, S. 2010. Interventions: Margura Past and Present. Cardiff: Cardiff University.
  • Mirea, P. 2010. The Lower Danue in Prehistory. Bucuresti: Renaissance.
  • Thorne, S. 2010. Some Spaces. Cardiff: Thorne Music.
  • Thorne, S. 2010. Romanian Village Soundscape. Cardiff: Thorne Music.
  • Tsantareanu, E. and Nemteanu, R. 2010. Human Cultural Change in the Romanian Rural Landscape. Bucuresti: Renaissance.

The Interpretation of Prehistoric Art

A long-running project has been the critical reassessment of prehistoric art, specifically the smal anthropomorphic figures of Neolithic central and southeastern Europe (6500-3500 cal. BC). Through a series of publications, I have argued that we must understand representations of art not as simple representations of past realities (i.e., as Goddesses or evidence of matriarchy), but as subtle, but powerful elements through which identities and relationships of appearance emerge, change, are manipulated, and lead to unintended consequences. Issues of stereotypes, origins of the gendered body, the materiality of fired clay and the rhetoric of representation are all in play. 

Select project publications: 

Spirits of Clay: Jomon and European Figurines

With Dr. Simon Kaner (University of East Anglia, UK), I coordinated a series of museum exhibitions and academic symposia. The project brought together prehistoric figurines from two of the world’s great traditions: the Japanese Jomon and the East European Neolithic. Through an exhibition at the British Museum (winter 2009/10) and the Sainsbury Centre for Visual Arts (spring 2010), the project assembled some of the world's outstanding examples of prehistoric art. Each exhibition complemented an academic symposium at which archaeologists, anthropologists, creative and visual artists presented new interpretations and approaches and debate questions of explanation and meaning. Major funding was provided by the Arts and Humanities Research Council (UK) [£349,500 / $689,878] and a range of public organizations in Europe and Japan.

Select project publications: 

  • Bailey, D.W. 2009. The Chobonaino Dogu: understanding a Late Jomon figure from Hakodate. In S. Kaner (ed.) The Power of Dogu, pp. 60-9 London: British Museum Press.
  • Bailey, D.W., Cochrane, A. and Zambelli, J. 2010. Unearthed: a Comparative Study of Jomon Dogu and Neolithic Figurines. Norwich: Sainsbury Centre for Visual Arts.

Contested Histories of Angel Island

With Professor Peter Biella and film-makers Daniel Chein and Kelly Grabianowsky, I produced a film about the multiple histories and understanding of the Angel Island in the San Francisco Bay. The project aims to educate students, teachers and community members about the multicultural history of the Bay Area by focusing on the contested heritage of Angel Island, best know as the Ellis Island of the west. Contested Histories provides a unique forum for multiple perspectives on the past as it has been created and as it continues to be constructed, reconstructed and exploited. The project is supported by the generous funding of the Farnley Tynas Foundation.

Select project publications: 

  • What Was Angel Island? (DVD; 13:20 mins).

Southern Romania Archaeological Project

With Dr. Radian Andreescu (National Museum of History, Bucureşti), I am co-Principal Investigator of a multi-national excavation project (50-70 person team) in southern Romania. The Southern Romania Archaeological Project (SRAP) started in 1998. The project investigates the origins and consequences of sedentism from 8000-2500 BC along the Teleorman River, a Danube tributary. SRAP is a collaboration between Cardiff University, the National Historical Museum of Romania and the Teleorman Regional Historical Museum in Alexandria (Romania). Participants are drawn from the University of Wales at Aberystwyth (Mark Macklin, Tom Coulthard), Nottingham (Amy Bogaard), St. Andrews (Ruth Robinson), Sheffield (Mike Charles, Rob Craigie), Bristol (Richard Evershed) and Leiden (Laurens Thissen). Funding has come from UK (British Academy, Society of Antiquaries of London) and Romanian sources (Ministry of Culture, Teleorman County Council).

Select project publications: 

  • Bailey, D.W., Andreescu, R., Howard, A.J., Macklin, M.G. and Mills, S. 2002. Alluvial landscapes in the temperate Balkan Neolithic: transitions to tells. Antiquity 76: 349-55.
  • Bailey, D.W., Howard, R., Macklin, M., Andreescu, R. and Mills, S. 2003. The origins of villages in the Balkan Neolithic and the alluvial history of a Danube tributary. In A. Howard, D. Passmore and M. Macklin (eds) Alluvial Archaeology, pp. 24-43. Rotterdam: Brill.
  • Bailey, D.W., Andreescu, R., Thissen, L., Howard, A., Macklin, M., Haită, C. and Mills, S. 2004. Landscape archaeology of Neolithic southcentral Romania: aims, methods and preliminary results of the Southern Romania Archaeological Project. Studi şi Cercetări de Istorie Veche şi Arheologie (Bucureşti) 52: 3-40.
  • Howard, A.J., Macklin, M.G., Bailey, D.W., Mills, S. and Andreescu, R. 2004. Late-glacial and Holocene river development in the Teleorman Valley on the southern Romanian Plain. Journal of Quaternary Studies 19(3): 271-80.
  • Bailey, D.W. 2006. Studying the Neolithic: an argument against generalization. Cultură şi Civilizaţie la Dunărea de Jos (Călăraşi, Romania) 22: 85-96
  • Evershed, R.P., Payne, S., Sherratt, A.G., Copley, M.S., Coolidge, J., Urem-kotsu, D., Kotsakis, K., Ozdoğan, M., Ozdoğan, A.E., Nieuwenhuyse, O., Akkermans, P.M.M.G, Bailey, D.W. , Andeescu, R., Campbell, S., Farid, S., Hodder, I., Yalman, N., Ozbaşaran, M., Biçakci, E., Garfinkel, Y., Levy, T. Burton, M. 2008. Earliest date for milk use in the Near East and southeastern Europe linked to cattle herding. Nature 455(7212): 538-31.
  • Bailey, D.W., Mirea, P., Thissen, L., Mills, S. and Andreescu, R. 2012. The early Neolithic in Southern Romania. In D. Boric (ed.) Neolithic Identities, pp. 123-45. Oxford: Oxbow.
  • Bailey, D.W. 2018. Breaking the Surface: an Art/Archaeology of Prehistoric Architecture. Oxford: Oxford University Press.

Podgoritsa Archaeological Project

From 1993-1995, with Ruth Tringham (UC Berkeley) I was co-Principal Investigator of the Podgoritsa Archaeological Project (15-25 people) in northeastern Bulgaria. At Podgoritsa we investigated the extra-mural dimensions of a late Neolithic (fifth millennium BC) tell settlement. Results documented the vacillation in availability of landscape (for cultivation and for other uses) and the gradual rise in local water-tables, a rise that conditioned the eventual abandonment of the settlement. Funding came from UK sources as well as from US National Science Foundation.

Select project publications: 

  • Bailey, D.W. 1995. Checkmate. Times Higher Education Supplement. September 22. [this is the article about the interrogation..though much more could be written]
  • Bailey, D.W., Tringham, R.E., Bass, J., Hamilton, M, Neuman, H., Angelova, I. and Raduncheva, A. 1998. Expanding the dimensions of early agricultural tells: the Podgoritsa Archaeological Project. Journal of Field Archaeology 25(4): 373-96.
  • Bailey, D.W. 1998. Archaeology as socio-politics: practice and ideology in Bulgaria. In L. Meskell (ed.) Archaeology Under Fire: Nationalism, Politics and Heritage in the Eastern Mediterranean and Middle East, pp. 87-110. London: Routledge.

Publications

My publications include six authored or edited books as well as journal articles and book chapters, reviews and more popular commentaries. 

View my academia.edu site

Classes Taught as SF State

Archaeology 

  • Anth 110: Introduction to Archaeology
  • Anth 301: Foundations of Archaeology: Theory
  • Anth 450: Archaeology of Ritual and Religion
  • Anth 721: Graduate Seminar in the Archaeological Theory
  • Anth 899: Graduate Independent Study: Origins of the Neolithic
  • Anth 899: Graduate Independent Study: Archaeology of Gardens 

Visual Anthropology/Visual Culture

  • Anth 326: Origins and Art and Visual Representation
  • Anth 328: Anthropology and Photography
  • Anth 699: Independent Study: Photomontage
  • Anth 720: Graduate Seminar in Visual Anthropology: Core Concepts
  • Anth 750: Graduate Seminar in Visual Anthropology: the Fixed Image
  • Anth 899: Graduate Independent Study: Mimbres Iconography

Core Skills (Graduate-level)

  • Anth 715: Anthropological Writing
  • Anth 717: Research Design

Douglass Bailey giving a lecture